Jaybird Art: Elnora Spencer & Roger Stephenson

Last September, Lloyd Bricken, Lillis Taylor, and Glory and I opened up this little space in Birmingham called The Jaybird. We’ve got books and zines for sale, and we’re also the home of the Alabama Zine Library, a reading room and archive of independent, DIY, handmade publications. We have live music once a month, and an art opening every other month. This whole thing is a community-driven, homegrown creative experiment not intended for profit. We don’t intend to be here forever, but we’ve promised at least 12 months of programs and gatherings and are doing are best to facilitate a series of beautiful, warm, and inspiring moments. So far, so good.

A couple of weeks ago, we opened our third art installation, and it’s been a great pleasure to spotlight the work of two local artists, Elnora Spencer and Roger Stephenson. It’s a visual exhibit that’s deeply steeped in music, especially in the blues: Roger’s photography offers portraits of blues and jazz musicians in performance, and Elnora–who is best known for her own sensational, soulful singing–invests her painting with the same depth of feeling, rhythm, and passion that’s at the heart of her music.  This Friday, February 9, Elnora will be the featured performer on our stage, and we can’t wait for her to fill our little room with her giant voice, surrounded by her own artwork and Roger’s intimate musical portraits.

If you live in Birmingham, I hope you’ll come see this art show–and Friday night’s performance would be the ideal time to come check it out. We’re also open every Saturday from 11 to 4, which gives visitors a good chance to get up close to the art; this show will be on our wall until sometime mid-to-late March. And for Elnora’s upcoming concert, we’re adding to the walls a good bunch of brand new paintings and drawings not included at our opening. On the blog today, I’m posting a bit of information about the installation, but most of all I hope you’ll come check it out in person.

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Roger Stephenson is a freelance photographer specializing in performer and performance photography. He is an official photographer for the Blues Foundation’s Blues Music Awards and International Blues Challenge and is a contributing photographer for Living Blues Magazine. His photos have been featured in numerous publications across the world and have appeared on musicians’ websites, album covers, and concert posters. You can find more of his work at www.rogerstephensonphotography.com.

Stephenson’s distinctive eye celebrates the soul of the blues, the buoyancy of jazz, and the intimacy and energy of live performance. His subjects include both legendary performers and the unheralded masters of the blues and jazz traditions. Among the portraits in this show you’ll find the faces of many of Alabama’s own homegrown musicians, from jazz legends Dr. Frank Adams and Cleve Eaton to blues hero Willie King—and you’ll encounter such iconic musical landmarks as Gip’s Place and Freedom Creek. There are even a couple of recent images taken here at The Jaybird—and a portrait of this show’s other featured artist, Elnora Spencer.

Stephenson calls this series “Listen, Can You Hear the Music?” and he hopes the images will appeal to the ear as much as the eye. “I feel my photograph achieves its objective,” he explains, “if you feel you are there at the venue with the musician.” If you can hear the music, he says, the image has done its job.

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Elnora Spencer paints the world as she sees it. Her paintings and sketches range from the autobiographical to the mystical, from the humorous to the profound. “My paintings,” she says, “are my view of the world—they show the good that I see in the world. Some of it’s what I want the world to be, my view on the way the world should work.” Many of Spencer’s paintings come to her in dreams. “I put the visions I see in my head into the painting, and it makes me feel better. Sometimes I feel like I’m in that world while I’m painting.” All in all, Spencer hopes to capture in her art what she calls the mystery of life: that mix of good and evil, of highs and lows and striving and dreaming that makes up our time on this earth. One of her key themes is that anything can change in the blink of an eye. And throughout her work there are angels, the protective spirits that look out for and watch over us. Through all of life’s ups and downs, she says, “the angels are always there.”

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“In a Green Dream,” by Elnora Spencer

It’s no surprise that there is a musical quality to many of Elnora Spencer’s paintings. In addition to her work as a visual artist, Spencer is best known as a dynamic and beloved blues, soul, and jazz vocalist. She’s worked with and opened for many blues icons—B. B. King, Bobby Blue Bland, Koko Taylor, and others—and she’s long been a mainstay of the Birmingham scene, routinely bringing down the house with her own powerhouse vocals. She will be performing at The Jaybird on Friday, February 9—a night we can guarantee you don’t want to miss. Here’s a little preview–video recorded last year during a series of engagements in Argentina.

Once again, we’re grateful to get to work with these artists, and we’re grateful too to everyone who’s come out already to check out the installation. We hope to see you soon at The Jaybird.

Blues for Sunday Morning

I woke up this morning and made a sweet lazy Sunday playlist of (mostly) downhome blues. You can listen to it here, or just scroll to the bottom of this post.

Included is an epic story song, “Jaybird,” by Scott Dunbar, recorded in the summer of 1968 on the bank of Lake Mary, Mississippi, by folklorist Bill Ferris. Ferris describes “Jaybird” as “a cante-fable — a sung story — about a young man who courts his sweetheart. He brings corn whiskey to her parents to make them fall asleep, and then he courts their daughter through the night.”

Scott Dunbar says this of the song: “I made that one up. That’s the jaybird in the air. I made that one about how you cut out the momma and the poppa so you can talk to the daughter.”

This playlist draws, among other things, from some really wonderful collections of field recordings. I suggest you check any and all of them out:

+ The George Mitchell Collection, Volumes 1 – 45 

+ Art of Field Recording: Traditional Music Documented By Art Rosenbaum

+ Drop On Down In Florida: Field Recordings of African American Traditional Music, 1977-1980

+ The Blues: Music from the Documentary Film by Sam Charters

+ Give My Poor Heart Ease: Voices from the Mississippi Blues, by William Ferris

+ In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley

+ Black Banjo Songsters of North Carolina and Virginia 

There’s also music here from Elizabeth Cotten, Pink Anderson, Algia Mae Hinton, Precious Byrant, Jesse Fuller, and others. Mississippi John Hurt sings this prayer, from his last recording sessions, in 1966:

Blues all on the ocean, blues all in the air
Can’t stay here no longer, I have no steamship fare
When my earthly trials are over, cast my body out in the sea
Save all the undertaker’s bills — let the mermaids flirt with me.

The lovely accompanying photo of John Hurt with Elizabeth Cotton was taken by Joe Alper at the Newport Folk Festival, 1964.

Hope you enjoy the mix. Happy Sunday, and peace.