A blues potluck. Fiddlers. The Beatles. Many hours of music. Hank Williams’s birthday. A party at The Jaybird. Video. More.

There’s a lot of good music in this post.

I’ve uploaded, for you to stream anytime online, several new and old episodes of my radio show: check out last week’s blues potluck episode, with exclusive performances by Alabama blues artists; or this look at Alabama fiddle traditions, with guests Joyce and Jim Cauthen; or this wide-ranging tribute to The Beatles, with soul, funk, and classic country takes on the Beatles, plus covers from Cambodia, Ghana, and more — or celebrate Hank Williams’s birthday this week with a truly epic Hank-a-thon from 2013 or with our Hank Death Show from last December.

Also in this post: details about this Saturday’s Blues Potluck at The Jaybird, a fitting big finish to our beautiful Jaybird year.

1. First, the radio shows:

For the last two weeks on The Lost Child, we’ve dug pretty deep into the roots of Alabama music. Two weeks ago, Joyce and Jim Cauthen joined me to talk about their work, over the last 30+ years, documenting and preserving Alabama’s fiddle traditions and tunes. We listened back to some of their original field recordings, talked about some of their favorite old-timers, and enjoyed some of their own live music in the studio. We also investigated the history of “The Lost Child,” the tune that gives this radio show its name.

Last week, the show turned its attention to Alabama blues, with music from these great performers: Clarence “Bluesman” Davis, Jock Webb, Elnora Spencer, Rob Harris, and Sam Frazier, Jr. — each of whom you can hear at The Jaybird’s Blues Potluck this coming weekend (Saturday, 9/22/18). All the music in this hour was either recorded live at The Jaybird (thanks to Dennis Tyler for the recordings) or was originally performed and broadcast live on past editions of this radio show. It’s a special hour. On the Jaybird recordings, you can hear the energy, warmth, and good humor of that room; near the end of the show Elnora Spencer brings the house down. On the Lost Child segments,  you can hear these players discuss the meaning of the blues, as well as their own personal roots in the music: Clarence “Bluesman” Davis describes growing up in Eutaw, Alabama, and having to decide between the blues and the church, while Jock Webb and Sam Frazier describe the rich music communities of Rosedale and Edgewater, Alabama, where they first encountered the blues in backyard parties and neighborhood shot houses. Along the way, of course, there’s a lot of great music.

And more Alabama music(!): since this week marks the 95th anniversary of the birth of Hank Williams, I’m posting once again the three-hour tribute I put together for Hank’s 90th. Included in this show is a mighty mix of rarities and classics, reminiscence from old friends, covers from a wide range of artists and genres (soul, gospel, funk, country, conjunto, 1960s Thai pop, and more), a look into the Hank’s musical roots, live and rowdy recordings, historic radio broadcasts, and other musical offerings. And, on a darker note, here’s my Hank Death Show, featuring excerpts from Hank’s funeral, songs about his death, and more.

For a long time I’ve been meaning to do a Beatles tribute show, and a few weeks back I finally did. Check it out here.

These radio hours posted online represent just a fraction of the shows we broadcast over the airwaves. You can hear new episodes of The Lost Child every Saturday morning (9 to 10, Central) and Tuesday night (11 to midnight) on Birmingham Mountain Radio. Thanks for tuning in. Thanks for telling your friends.

2. Back, now, to that Blues Potluck: 

On September 22 of 2017, some friends (Lloyd Bricken, Lillis Taylor, Glory McLaughlin (my wife!)) and I kicked off a year of events at a new space we were calling The Jaybird. Our goal was to create a season of special events rooted in grassroots community, creativity, and the arts. We’ve had an extraordinary year of monthly concerts, bimonthly art shows, and much more along the way — poetry, zines, workshops, books, food, craft fairs, and other collaborations and gatherings. This weekend — on September 22 of 2018 — we’ll have one more Jaybird concert; it’ll be a doozy of a thing, and the perfect way to ring out our Jaybird year.

For Saturday’s Blues Potluck we’re inviting back to the Jaybird all the blues artists who have played our stage in in the last twelve months. The gates swing open at 5; music starts at 5:30; dinner will commence at 6. We’ll start with an acoustic set of music, outside. As the night gets darker and the music gets louder, we’ll move inside, from 7 ’til 10. We’ll probably hang out for a while.

I, for one, can’t wait.

To be clear: it’s a real potluck. If you’re in town and plan to come, bring a dish to get $5 off the $15 cover. (We’ll be eating all night, so even if you arrive after the dinner bell rings, I guarantee your food will still find a stomach.)

I’ll be writing more here soon about our Jaybird year, and about what you can expect from this space in the future. But I’ll end this post with some glimpses of the artists you can plan to see if you come out and join us this Saturday.

Thanks, y’all.

Here’s Sam Frazier, Jr., with his song “Inherit the Blues”:

Here are Clarence “Bluesman” Davis and Jock Webb at the 49 Navy Tavern in Pensacola:

… and at the Carver Theater, for an event with the Alabama Folklife Association:

Last year, Elnora Spencer flew down to Argentina for a series of shows. Here she is with the band Fede Telier:

… and here she is at The Jaybird in February: “If Loving You is Wrong, I Don’t Want to Be Right.”

Every Wednesday night, Rob Harris leads the house band for the open mic at the Red Wolf Lounge. Here’s some video from the Red Wolf, with Rob and Jock Webb:

And one more time: You can hear all these artists on last week’s edition of The Lost Child radio show, streamable anytime right here online.

Our sponsor for this event is Dorsey Cox Design and the Stream.

Thanks to Yellowhammer Creative, for one more great poster:

IMG_0912

There’s a lot to take in in this post. We live in a beautiful world.

If you’re in driving distance of Birmingham, we hope to see you Saturday.

New Year’s Hankathon

Tomorrow, New Year’s Day 2018, marks the 65th anniversary of the death of Hank Williams; and to commemorate the date I’ve got four hours of Hank tributes from The Lost Child — the perfect soundtrack, I think, to your black-eyed peas and new year’s greens.

First, here’s the extended edition of this weekend’s show, the Hank Death Show. This is something I’ve wanted to do for a while, and this 65th anniversary seemed like good timing: we listened back to Hank’s historic funeral and heard some of the (many!) Hank tribute songs released in the wake of his death, along with some original Hank records and radio broadcasts. The extended online version includes more of the funeral than I could squeeze into my usual broadcast hour, plus a further look into all those tribute records.

That show was a sort of epilogue to this show, Hank at 90, the three-hour tribute I aired on the 90th anniversary of Hank’s birth, back in 2013. “Hank at 90” pulled together into one place many years of Hank collecting and obsessing on my part, and it’s still one of the most popular episodes of The Lost Child. There are Hank classics and obscurities, reflections from Hank’s old bandmates, a look into the roots of Hank Williams (including the evolution of the “Lovesick Blues” and “Jambalaya”), and, best of all, a world of Hank covers — including gospel, conjunto, soul, zydeco, doo-wop, ’60s psychedelic Thai pop  covers, and more. Here’s the playlist, if you’d like to follow along:

  1. Hank Williams: Honky Tonk Blues (Live, Grand Ole Opry, 1952)
  2. Dean Martin: Wedding Bells
  3. Johnny “Guitar” Watson: Cold, Cold Heart
  4. Conjunto Atardecer: Jambalaya
  5. Hank Williams: Settin’ the Woods on Fire
  6. Johnny Cash: I Heard that Lonesome Whistle
  7. The Maddox Brothers and Rose: Honky Tonkin
  8. Minnie Pearl and Hank Williams: Live on the Grand Ole Opry, 1950
  9. Hank Williams: Next Sunday Darlin’ is My Birthday (Live, Mother’s Best radio show, WSM, 1951)
  10. Piano Red: Hey Good Lookin’
  11. Billy Lee Riley: Kaw-Liga
  12. Papa Cairo: Grand Texas
  13. Chuck Guillory: Grand Texas
  14. Hank Williams: Jambalaya (Live, Grand Ole Opry, 1952)
  15. Louis Keppard: Bucket’s Got a Hole in It
  16. Washboard Sam: Bucket’s Got a Hole in It
  17. Hank Williams: My Bucket’s Got a Hole in It (demo)
  18. Esther Phillips: I Can’t Help It (If I’m Still in Love with You)
  19. Hank Williams radio interview with Mack Sanders, WFBI, Wichita, KS, 1951
  20. Hank Williams as Luke the Drifter: Ramblin’ Man
  21. Louis Armstrong: Your Cheatin’ Heart
  22. Isidro Lopez: Kaw-Liga
  23. The Five Crowns: You Win Again
  24. Kenneth “Jethro” Burns: You Win Again
  25. Bill Monroe: I’m Blue, I’m Lonesome
  26. Braxton Shooford (Braxton Schuffert): Rockin’ Chair Daddy
  27. Big Bill Lister: Countrified
  28. Big Bill Lister: There’s a Tear in My Beer
  29. Big Bill Lister: Story Behind “There’s a Tear in My Beer”
  30. Hank Williams, Sr. & Hank Williams, Jr.: There’s a Tear in My Beer
  31. Bob Log III: Settin’ the Woods on Fire
  32. Hank Williams as Luke the Drifter: A Picture from Life’s Other Side
  33. Elvis Presley: Men with Broken Hearts (Las Vegas, 1970)
  34. Dinah Washington: Cold, Cold Heart
  35. Hank Williams: You’re Gonna Change (Or I’m Gonna Leave) (Live, Grand Ole Opry, 1949)
  36. Audrey Williams: Tornado of Love
  37. Lloyd Clarke: Half as Much
  38. Lum York: Memories of Hank Williams (My Life and Times with Hank Williams, Sr.)
  39. Hank Williams: Mother’s Best radio show excerpt, featuring “I Saw the Light” (1951)
  40. Emmett Miller: The Lovesick Blues
  41. Rex Griffin: Lovesick Blues
  42. Hank Williams: Lovesick Blues
  43. Porter Wagoner: Porter and Marty (Men With Broken Hearts / I Heard That Lonesome Whistle)
  44. Link Wray: I’m So Lonesome I Could Cry
  45. Silver Sand: Kaw-Liga
  46. Hank Williams: How To Write Folk and Western Music To Sell
  47. Zelenáči (Greenhorns) & Miroslav Hoffman: Posledni hrana (Long Gone Lonesome Blues)
  48. Hank Williams: Weary Blues from Waitin’ (demo)
  49. The Golden Crusaders: Hey Good Lookin’
  50. Hank Williams: On Top Of Old Smoky (Live, Mother’s Best radio show, 1951)
  51. Preston Fulp: Wedding Bells
  52. James Brown: Your Cheatin’ Heart
  53. Hank Williams: radio interview with Bob McKinnon, Alexander City, AL, 1950
  54. Jack Cardwell: The Death of Hank Williams
  55. Dr. Henry L. Lyon: Hank Williams eulogy (excerpt), Highland Avenue Baptist Church, Montgomery, AL, 1953
  56. Johnnie and Jack: Hank Williams Will Live Forever
  57. The Five Blind Boys of Alabama: I Saw the Light
  58. Hank Williams: I’m Gonna Sing, Sing, Sing

Hank Death Show copy

In Birmingham the night before New Year’s each year is Hank Night, bandleader Chad Fisher’s annual tribute to the music of Hank Williams (Hank spent the night of January 30, 1952 in Birmingham, on his way to the gig he never made). Each year it’s an incredible night. For the last three years I’ve had the honor of introducing the band onstage and saying a few words about Hank. This is more or less what I said last night:

Happy Hank Night.

65 YEARS AGO TONIGHT(!!)
Hiram Hank Williams
pulled into the city of Birmingham
in the middle of a snowstorm

in his eggshell blue Cadillac convertible
on his way to a New Year’s gig in Canton, Ohio

He checked into the Redmont Hotel downtown and got a room for the night.
It was his last night in any bed
And the last night whose morning he’d live to see.

In the morning Hank got back on the road
but somewhere in the dark hours
between New Year’s Eve and New Year’s Day
he breathed out his last breath; and
somewhere around Oak, Hill, West Virginia
his driver pulled over to discover him dead.

In life Hank wrote a litany of hits:
     “Hey Good Lookin'”
     “Jambalya”
     “Your Cheatin’ Heart”
     “Cold Cold Heart”
     “I Saw the Light”
     “Kaw-liga”
     And too many others to name

When he died DJs all over the country saturated the airwaves with his songs
and put also onto their turntables a world of Hank tribute records
so many musical eulogies they constituted a kind of miniature genre unto themselves

Songs like:
     “The Life of Hank Williams”
     “The Death of Hank Williams”
     “In Memory of Hank Williams”
     “Ode to Hank Williams” 

     “A Tribute to Hank Williams, My Buddy”
     “Hank Williams, That Alabama Boy”
     “Singing Teacher in Heaven”
     “Guest Star in Heaven”
     “Heart’s Hall of Fame”
     “That Heaven Bound Train”
     “When Hank Williams Met Jimmie Rodgers”
     “Hank Williams Will Live Forever”
     “Hank Williams Isn’t Dead”
     “Hank, It Will Never Be the Same Without You”
     And more

One of Hank’s recent hits, “I’ll Never Get Out of this World Alive,” was still on the charts
And that song, which a few months ago had just been a jokey, catchy novelty tune

Became suddenly endowed with a tragic, near-mystic significance

Hank’s record label rushed to release a posthumous anthology of all the records Hank
     had made as Luke the Drifter
     his moralizing, sermonizing alter-ego,
a collection meant to assure Hank’s fans that for all the hell-raising for which Hank was
known
Hank had believed above all in mama and God and sweet sacred things and home.

The DJs read out over the airwaves the home address of Hank’s mama, Lily Stone in
Montgomery
urging their listeners to send their condolences
So a flood of cards and letters

poured by the hundreds into her mailbox
and filled up as best as they could the empty spaces in her home

There were letters from housewives
and farmers
teenagers
and aspiring songwriters
from black listeners and white listeners

and GIs stationed in Korea and in Germany.

A letter from Eua Claire, Wisconsin, was addressed to “The Mother of Country Music”
and said, quote:
     “I’d love to come to your home and see Hank’s room
and feel his nearness everywhere.
     Do you think Hank would care?”

I grew up in Montgomery some years after all this
and Hank’s nearness could still be felt if you knew how to look for and feel it.
When the Hank Williams Museum got ready to open there in 1999
a headline appeared on the front page of the Montgomery Advertiser
     my hometown paper
announcing the appearance of what seemed to be Hank’s ghost
in a piece of plywood
at the museum’s construction site.
A contract painter, the paper said, had discovered in the wood grain
–o
n December 31, of all possible dates, just days before the museum’s opening–
the image of a cowboy hat
and then of a guitar
and next to that the letters HW;
a few days later, a cowboy boot had “appeared” in the grain
and the museum’s owner told the paper:
“We don’t know what will appear next.”
Quote: “It’s strange”

But strange things happen in country music
and God knows strange things happen in Alabama

David Allen Coe in the ’80s and Allen Jackson in the ’90s both wrote new sorts of tribute
     songs, describing run-ins with Hank’s ghost in and around Montgomery
and Waylon Jennings’s tour bus always kept one empty bunk open for Hank’s ghost,
which Waylon said came around often for the ride and a talk.

Hank just can’t seem to leave us alone.
And we can’t leave him alone either.

Hank Williams seems to fill for millions of us some kind of essential need
and 65 years after he last pulled through this town

we still have limitless room for his Ghost.

For nine years Chad Fisher has brought to Birmingham one of the greatest nights this
     city knows,
assembled on this stage one of the most joyous and inspiring lineups of talent we might
hope to hear
and it’s a joy to be with you all here tonight
for Hank Night Nine.

Ladies and gentlemen, friends and neighbors,
     Chad Fisher
     and the Hank Night Band.

One last thing or two for now, speaking of musical New Year’s traditions: here’s 20 minutes’ worth of “Auld Lang Syne” to help ring in the new — and a blog post from this time last year, with still more(!!) New Year’s listening from The Lost Child.

Happy new year, and long live Hank Williams. See you in 2018.

hank!

Picturing the Lost Child: A Few Drawings & Posters

Since 2012, I’ve hosted a roots music radio show called The Lost Child. To promote my Woody Guthrie centennial show that year, I drew my first Lost Child poster; I’ve done several others since then. This has gotten me back into the habit of drawing, a habit I’d abandoned for more than a decade. Here are a few posters I’ve done for The Lost Child, including the most recent: the Leon show aired last Saturday and the Pete show airs this Saturday. Click any image to enlarge it. I’ll post more of these here in the future. And my next blog post — or, anyway, one of the next — is about how I stopped drawing pictures, and how I started again.

I’m grateful to friends who’ve encouraged me to draw more pictures and make more posters in these last few years. At their encouragement, I’ve made prints of some of these for sale on my Etsy store — and I hope to host my first art show in a few months.

Stay tuned.