Help Preserve Vital Music History Today

Hi, friends,

Back in 2022 I started the nonprofit Southern Music Research Center with the mission of documenting, preserving, and making broadly accessible a diverse range of musical history, tradition, expression, and experience. With the support of an initial cohort of monthly Patreon donors, mostly Lost Child radio listeners, we launched our online archive — the real center of our Center — in April 2023.

Since then, the SMRC’s work — including that archive, the radio show, our community preservation services, live events, and more — has grown exponentially.

Today I’m seeking to expand that work still further, and I hope you’ll pitch in. The SMRC is seeking 20 new Patreon donors by the end of the day today.

We don’t make these direct appeals often. But to help us meet today’s goal, I’d like to ask you to consider a monthly donation of $20. If that’s too steep for you right now, no worries — please know that every donation at every level goes a long way to sustaining our work. You can pitch in here at whatever rate works best for you. 

So far this year, thanks to donor contributions, we’ve launched multiple online archival collections, including: 

  • The Old-Time Herald magazine collection, our most-visited archival collection to date, presented in collaboration with the nonprofit Whole South Heritage Works

  •  The Mt. Willing Quilters collection, featuring songs from the Sew Their Names Quilting Project, presented in collaboration with the Hear in Alabama podcast and members of this extraordinary quilting (and singing) community

  •  The Fiddling Tom Freeman collection, an online archival supplement to author Joyce Cauthen’s great, brand-new book, The Ballad of Fiddling Tom Freeman: Music, Moonshine, and Murder in Bug Tussle, Alabama

This year we’ve also hosted live events, including:

  • community archiving days, inviting the public to share musical artifacts from their personal collections, to be digitized and preserved for posterity. (Check out these acetate discs preserved at our most recent event at the North Birmingham Library, or this wealth of material digitized at our archiving event on Sand Mountain, AL.)

  • an intimate homecoming concert with songwriting legend Willis Alan Ramsey, presented in collaboration with the Birmingham Folk Festival

  • a series of inspiring community discussions with author Phyllis Biffle Elmore, presented with assistance from the Alabama Humanities Alliance and a host of community partners 

  • DJ events, including the first live, in-person (and packed-out) radio broadcast of our signature radio show, The Lost Child

We’ve also continued to work with individuals, families, and organizations to preserve their own music artifacts. This summer we unveiled the Patricia Weaver Byrd gospel music collection with a powerful live event, including gospel music performances, presentations, and archiving activities. And just last week we began processing a collection of more than 120 reel-to-reel tapes — most of them live, small-town radio broadcasts, 1950s-1990s — from the collection of bluegrass bandleader Jimmy Daugherty. 

You can help fuel just this sort of work — and help us meet today’s fundraising goal — by pledging monthly support here, right now

Your contributions also sustain us for the future as we continue to grow. At this moment we’re at work on several exciting archival collections we’ll be sharing online over the next few months. Major projects on our immediate horizons include: 

  • Sweet Wreath Flyers — a vivid visual panorama from the southern avant-garde underground, 2000 – present

  •  The Peanut Conn Collection — archival radio broadcasts, home recordings, and historic photos from Louisiana swing jazz violinist Vertis Roy “Peanut” Conn (1919-1964)

  •  The Stanton Littlejohn & McNairy County Music Collections — 150+ acetate disc recordings created in the 1940s & ’50s by Stanton Littlejohn of Eastview, TN, documenting the rich musical life of his community — along with a trove of historic music photos from Littlejohn’s McNairy County. Presented in collaboration with the nonprofit Arts in McNairy, these collections offer a deep dive into a single Tennessee county’s historic musical landscape, revealing an astonishing universe of old-time string bands, homegrown rockabillies, boogie-woogie pianists, gospel quartets, and more.
     
  •  The Chitlin Circuit Interviews — previously unreleased audio interviews and transcripts from the making of author Preston Lauterbach’s acclaimed 2011 book, The Chitlin’ Circuit and the Road to Rock and Roll

We are also about to start production on Season Two of our original video seriesAlabama Hip Hop 101, coming your way in 2027. And our weekly roots music radio hour, The Lost Child, the project that started this whole thing, is now available for distribution via the Public Radio Exchange (PRX); if we’re not already broadcasting on your local public radio station, let them know you’d like to hear us!

As always, I can’t thank you enough for your support of this work. I hope the (partial) list above, outlining some of what we’ve achieved just this year alone, goes to show how far we’re able to take your donor dollars. By becoming a supporter, or by continuing your support, you become a key collaborator in this work, helping unearth, preserve, and share vital music history for many years to come.  Please consider a $20 monthly donation, or whatever other amount works best for you. 

Pitch in, here, now, with a thousand thanks. 

Sincerely,

Burgin

P. S. Not into Patreon but still want to support?  Check out our other donation options at southernmusicresearch.org/support.

P. P. S. If you’re not already subscribed to the SMRC’s email list, please do so today (sign up here)! You may notice I never use this personal blog site anymore to send out messages (today is the rare exception); the SMRC mailing list is the best place to keep in the loop.

P. P. P. S. Here’s that Patreon link one more time, for good measure — http://patreon.com/southernmusicresearch — or hit the button below. Thanks.

Now Available: MAGIC CITY

Good news!

I’m thrilled to announce the publication of my book Magic City: How the Birmingham Jazz Tradition Shaped the Sound of America.

Officially the book is out on November 28, but pre-orders have already begun trickling out to mailboxes and stores. Please take a moment to order a copy, anywhere you get your books. (As always, I recommend your local independent bookstore, or else this good company: bookshop.org.)

If you happen to live in Birmingham, Alabama, please join us for the book release party at the Alabama Jazz Hall of Fame on Saturday, Dec. 2. I’ll also be speaking at a public event hosted by the Birmingham Historical Society on Dec. 3. In the meantime, I’m lining up some book events for the new year, here in Alabama and beyond; if you’d like to host an event in your town, please just shoot me a message: burgin@southernmusicresearch.org.

Here’s a synopsis from the publisher:

Magic City is the story of one of American music’s essential unsung places: Birmingham, Alabama, birthplace of a distinctive and influential jazz heritage. In a telling replete with colorful characters, iconic artists, and unheralded masters, Burgin Mathews reveals how Birmingham was the cradle and training ground for such luminaries as big band leader Erskine Hawkins, cosmic outsider Sun Ra, and a long list of sidemen, soloists, and arrangers. He also celebrates the contributions of local educators, club owners, and civic leaders who nurtured a vital culture of Black expression in one of the country’s most notoriously segregated cities. In Birmingham, jazz was more than entertainment: long before the city emerged as a focal point in the national civil rights movement, its homegrown jazz heroes helped set the stage, crafting a unique tradition of independence, innovation, achievement, and empowerment.

Blending deep archival research and original interviews with living elders of the Birmingham scene, Mathews elevates the stories of figures like John T. “Fess” Whatley, the pioneering teacher-bandleader who emphasized instrumental training as a means of upward mobility and community pride. Along the way, he takes readers into the high school band rooms, fraternal ballrooms, vaudeville houses, and circus tent shows that shaped a musical movement, revealing a community of players whose influence spread throughout the world.

While I’m here, I’ll acknowledge that this website and blog have been dormant for quite a long time now. I started the site in 2016, largely with the purpose of documenting the development of this book-in-progress. (In 2016, the book had already been five years in progress — so this thing has been quite a while in the making.) A lot has happened since I last posted anything here: for one thing, I started a nonprofit, the Southern Music Research Center, which officially launched this April with the debut of our website, a growing online archive full of rescued recordings, oral histories, rare photos, and other artifacts from a wide range of music communities and traditions. I hope you’ll take some time to explore our archival collections at southernmusicresearch.org. Among other things, you’ll find lots of material there related to my research on Birmingham jazz: photos, newspaper ads, recordings, interviews, funeral programs, magazines, ephemera, and more.

Basically, there’s a lot to celebrate and to explore. I hope you’ll check out the site, and the book. Let me know what you think, and thanks.

— Burgin